Bard College Berlin Library Search for 'pb:Henmar Press Inc.'

Ryoanji

By John Cage. New York City; Henmar Press Inc. 1983 . 2 p.

Ryoanji

By John Cage. New York City; Henmar Press Inc. 1984 . 17 p.

4' 33"

By John Cage. New York; Henmar Press, Inc. 2012 . 35 p. , This edition includes all previously published versions of 4'33" - both typed and calligraphic versi, as well as the edition in proportional notation created for Irwin Kremen, to whom Cage had dedicated the piece.

Variations IV

By John Cage. New York, Henmar Press, Inc. 1963 , This piece is the second in a group that included Atlas Eclipticalis as the first piece and 0'00" as the third. Variations IV is intended for any number of players producing any sounds by any means, "with or without other activities." It is dedicated to Peter Pesic.

4' 33"

By John Cage. New York, Henmar Press, Inc. 1962 , This is the third and final work in a series corresponding to the 3 lines of Haiku poetry. For further details, see Variations IV.

Ryoanji (Voice)

By John Cage. New York Henmar Press Inc. 1983 . 19 pages , Each two pages represent a "garden" of sounds. The glissandi are to be played smoothly and as much as is possible like sound events in nature rather than sounds in music. The dynamics, not given, are to be soft rather than loud, as a rule, a rule that has exceptions. The pieces is for bass solo (shown below in the part as a solid line) ____ , with vocalise ad libitum (the straight horizontal lines, below, represent the staff) and prerecorded parts. These latter are ......, __ __, and _ . _ . Each part is to have its own sound system.

Variations V

By John Cage. U.S.A. Henmar Press Inc. 1965 . 3 pages

Ryoanji (Oboe)

By John Cage. New York Henmar Press Inc. 1985 . 17 pages , Each two pages represent a "garden" of sounds. The glissandi are to be played smoothly and as much as is possible like sound events in nature rather than sounds in music. The dynamics, not given, are to be soft rather than loud, as a rule, a rule that has exceptions. The pieces is for bass solo (shown below in the part as a solid line) ____ , with vocalise ad libitum (the straight horizontal lines, below, represent the staff) and prerecorded parts. These latter are ......, __ __, and _ . _ . Each part is to have its own sound system.

Fontana Mix

Henmar Press Inc. 1960 . 10 sheets of paper, 11 transparencies and Instructions , 17 minutes of material, to be used in any time length, longer or shorter; the score may also be used to provide a part or parts for any instrument or combination of instruments. (see also: ARIA, CONCERT, SOLO FOR VOICE 2, WBAI)