| 000 -LEADER |
|---|
| fixed length control field |
02546cam a2200181 i 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
230116b xxu||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781628923520 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
709.04 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
LaBelle, Brandon |
| 9 (RLIN) |
20835 |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Background noise : |
| Remainder of title |
perspectives on sound art |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
Second edition |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
New York : |
| Name of publisher, distributor, etc |
Bloomsbury Academic , |
| Date of publication, distribution, etc |
2015 . |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
351 pages |
| 505 8# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Machine generated contents note: -- AcknowledgementsPreface to the Second EditionIntroduction: Auditory Relations Fade InPart 1: 4'33": Sound and Points of OriginIntroduction to Part 1 Chapter 1 Sociality of Sound: John Cage and Musical ConceptsChapter 2 Exposing the Sound Object:Musique Concrète's Sonic Research Chapter 3 Automatic Music: Group Ongaku's Performative Labors Part 2: Box with the Sound of Its Own Making: From Gags to Sculptural Form Introduction to Part 2 Chapter 4 Rhythms of Chaos: Happenings, Environments, and Fluxus Chapter 5 Minimalist Treatments: La Monte Young and Robert Morris Chapter 6 Conceptualizations:Michael Asher and the Subject of Space Part 3: I Am Sitting in a Room: Vocal IntensitiesIntroduction to Part 3 Chapter 7 Performing Desire/ Performing Fear: Vito Acconci and the Power Plays of Voice Chapter 8 Finding Oneself: Alvin Lucier and the Phenomenal VoiceChapter 9 Word of Mouth: Christof Migone's Little ManiasPart 4: Public Supply: Buildings, Constructions, and Locational ListeningIntroduction to Part 4 Chapter 10 Tuning Space:Max Neuhaus and Site-Specific SoundChapter 11 Other Architectures:Michael Brewster, Maryanne Amacher, and Bernhard LeitnerChapter 12 Composing Intensities: Iannis Xenakis's Multimedia Architectures Part 5: Soundmarks: Environments and Aural GeographyIntroduction to Part 5 Chapter 13 Seeking Ursound: Hildegard Westerkamp, Steve Peters, and the Soundscape Chapter 14 Language Games: Yasunao Tone and the Mechanics of Information Chapter 15 Complicating Place: Bill Fontana and Networking the Soundscape Part 6: Global Strings: Interpersonal and Network Space Introduction to Part 6 Chapter 16 Interactions: Achim Wollscheid's Production of the Local Chapter 17 Global Events: Atau Tanaka and Network as Instrument Chapter 18 Live Streams: Apo33 and Multiplying Place Fade Out Conclusion: Auditive Pivot Appendix: Peripheries - subnature, phantom memory, and dirty listeningList of Works Cited Index. |
| 650 00 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Sound in art. |
| 9 (RLIN) |
31076 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| General subdivision |
Sound installations (Art) |
| -- |
Arts, Modern |
| -- |
Sound in art |
| -- |
Performance art |
| -- |
Site-specific art |
| 9 (RLIN) |
31077 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Reserve |
| Suppress in OPAC |
Do not suppress in OPAC |