Normal view MARC view ISBD view

Theatre, Social Media, and Meaning Making /

By: Hadley, Bree.
Material type: materialTypeLabelBookPublisher: Cham : Palgrave Macmillan , 2017Edition: 1st ed. 2017.Description: 1 online resource (IX, 256 pages 2 illustrations).ISBN: 9783319548821.Subject(s): Performing arts | Theater -- History | Performing Arts | Theatre HistoryDDC classification: 790
Contents:
List of Figures -- Acknowledgements -- 1. Introduction,- 2. Social Media: Platforms, Networks and Influences -- 3. Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities -- 4. Social Media as Critical Stage: Controversy, Debate and Democracy -- 5. Social Media as Cultural Stage: Co-Creation, Audience Collaboration, and the Construction of Theatre Cultures -- 6. Conclusion -- References.
Summary: This book offers the first broad-based survey of the way artists, audiences and society at large are making use of social media, and how the emergence of social media platforms that allow two-way interaction between these groups has been held up as a 'game changer' by many in the theatre industry. The first book to analyse aesthetic, critical, audience development, marketing and assessment uptake of social media in the theatre industry in an integrated fashion, Theatre, Social Media and Meaning Making examines examples from the USA, UK, Europe and Australasia to provide a snapshot of this emerging niche within networked, telematic, immersive and participatory theatre production and reception practices. A vital new resource for the field, this book will appeal to scholars, students, and industry practitioners alike.
List(s) this item appears in: Summer 2021
Tags from this library: No tags from this library for this title.
Item type Current location Call number Status Date due
Non Fiction Non Fiction BardBerlinLibrary
2nd floor
790 HAD 2017 (Browse shelf) Available

List of Figures -- Acknowledgements -- 1. Introduction,- 2. Social Media: Platforms, Networks and Influences -- 3. Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities -- 4. Social Media as Critical Stage: Controversy, Debate and Democracy -- 5. Social Media as Cultural Stage: Co-Creation, Audience Collaboration, and the Construction of Theatre Cultures -- 6. Conclusion -- References.

This book offers the first broad-based survey of the way artists, audiences and society at large are making use of social media, and how the emergence of social media platforms that allow two-way interaction between these groups has been held up as a 'game changer' by many in the theatre industry. The first book to analyse aesthetic, critical, audience development, marketing and assessment uptake of social media in the theatre industry in an integrated fashion, Theatre, Social Media and Meaning Making examines examples from the USA, UK, Europe and Australasia to provide a snapshot of this emerging niche within networked, telematic, immersive and participatory theatre production and reception practices. A vital new resource for the field, this book will appeal to scholars, students, and industry practitioners alike.

There are no comments for this item.

Log in to your account to post a comment.

Please contact [email protected] in case you encounter any problems with the OPAC.