Storytelling and ethics : literature, visual arts, and the power of narrative
Contributor(s): Meretoja, Hanna [editor]
| Davis, Colin [editor]
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Item type | Current location | Call number | Status | Date due |
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BardBerlinLibrary 2nd floor | 808.036 MER 2018 (Browse shelf) | Available |
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808.02 PRO 2007 Reading like a writer : | 808.027 Gib 2003 MLA handbook for writers of research papers / | 808.036 ALB 2013 A Poetics of Unnatural Narrative | 808.036 MER 2018 Storytelling and ethics : | 808.042 2009 Writing-based teaching : | 808.042 BAR 2013 A Short Guide to College Writing | 808.042 BAR 2013 A Short Guide to College Writing |
Includes bibliographical references and index.
"In recent years there has been a huge amount of both popular and academic interest in storytelling as something that is an essential part of not only literature and art but also our everyday lives as well as our dreams, fantasies, aspirations, historical self-understanding, and political actions. The question of the ethics of storytelling always lurks behind these discussions, though most frequently it remains implicit rather than explicit. This volume explores the ethical potential and risks of storytelling from an interdisciplinary perspective. It stages a dialogue between contemporary literature and visual arts across media (film, photography, performative arts), interdisciplinary theoretical perspectives (debates in narrative studies, trauma studies, cultural memory studies, ethical criticism), and history. The collection analyses ethical issues involved in different strategies employed in literature and art to narrate experiences that resist telling and imagining, such as traumatic historical events, including war and political conflicts. The chapters explore the multiple ways in which the ethics of storytelling relates to the contemporary arts as they work with, draw on, and contribute to historical imagination. The book foregrounds the connection between remembering and imagining and explores the ambiguous role of narrative in the configuration of selves, communities, and the relation to the non-human. Making an original contribution to interdisciplinary narrative studies and narrative ethics, this book both articulates a complex understanding of how artistic storytelling practices enable critical distance from culturally dominant narrative practices, and analyzes the limitations and potential pitfalls of storytelling" --
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