Applied theatre : aesthetics
By: White, Gareth
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Contributor(s): Balfour, Michael [series editor]
| Preston, Sheila [series editor]
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Item type | Current location | Call number | Status | Date due |
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BardBerlinLibrary 2nd floor | 792.01 WHI 2015 (Browse shelf) | Available |
Browsing BardBerlinLibrary Shelves , Shelving location: 2nd floor Close shelf browser
792.01 SCH 2020 Performance Studies: An introduction. | 792.01 SHA 2021 Experiments in listening | 792.01 SVI 2022 Toward a Future Theatre Conversations During a Pandemic | 792.01 WHI 2015 Applied theatre : | 792.013 SHA 2017 Theatre & protest | 792.014 FIS 1992 The semiotics of theater / | 792.02/8 The viewpoints book : |
Includes bibliographical references (pages 257-300) and index.
"Applied Theatre: Aesthetics re-examines how the idea of 'the aesthetic' is relevant to performance in social settings. The disinterestedness that traditional aesthetics claims as a key characteristic of art makes little sense when making performances with ordinary people, rooted in their lives and communities, and with personal and social change as its aim. Yet practitioners of applied arts know that their work is not reducible to social work, therapy or education. Reconciling the simultaneous autonomy and heteronomy of art is the problem of aesthetics in applied arts. Gareth White's introductory essay reviews the field, and proposes an interdisciplinary approach that builds on new developments in evolutionary, cognitive and neuro-aesthetics alongside the politics of art. It addresses the complexities of art and the aesthetic as everyday behaviours and responses. The second part of the book is made up of essays from leading experts and new voices in the practice and theory of applied performance, reflecting on the key problematics of applying performance with non-performers. New and innovative practice is described and interrogated, and fresh thinking is introduced in response to perennial problems"--
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