Theatre and social media
By: Lonergan, Patrick
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Item type | Current location | Call number | Status | Date due |
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BardBerlinLibrary 2nd floor | 792 LON 2016 (Browse shelf) | Available |
Browsing BardBerlinLibrary Shelves , Shelving location: 2nd floor Close shelf browser
792 FIS 2014 The Routledge introduction to theatre and performance studies / | 792 KEL 2009 Theatre & politics | 792 LIC 2013 Performance, Politics and Activism | 792 LON 2016 Theatre and social media | 792 MAY 2011 Aristotle's Ethics : | 792 PAR 2011 Cyborg theatre : corporeal/technological intersections in multimedia performance | 792 RAE 2009 Theatre & human rights |
Includes bibliographical references and index.
Machine generated contents note: Introduction -- SOCIAL MEDIA AND PERFORMANCE. The Pre-Histories of Social Media -- Computers and Theatre -- Social Media as Performance Space: the 2009 Iranian "Rooftop Poems" -- Defining Social Media -- SOCIAL MEDIA IN THEATRE. Precursors: Patrick Marber's Closer, 1997 -- Social Media in Theatre: Thematic Approaches -- Social Media in Theatre: Formal Innovations -- PERFORMING AUTHORSHIP, PERFORMING CONSUMERS. Once: the musical on stage and online -- CONCLUSIONS.
"Social media has become an increasingly prevalent aspect of our lives, used daily by many people. In this timely study, Patrick Lonergan examines the relationship between social media and theatre. He argues that social media is itself a performance space, analysing how it's used by both theatres and audiences and also in connection with each other"--
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