Theatre, Social Media, and Meaning Making /
By: Hadley, Bree
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Item type | Current location | Call number | Status | Date due |
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BardBerlinLibrary 2nd floor | 790 HAD 2017 (Browse shelf) | Available |
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789 SCH 2016 Joshua Schwebel, Subsidy / | 790 BLA 2020 The art of resistance | 790 BRE 2018 Performance and Civic Engagement | 790 HAD 2017 Theatre, Social Media, and Meaning Making / | 790 KOP 2018 Integriert doch erst mal uns! | 790 MAL 2015 Not just a mirror : looking for the political theatre of today | 790 PEE 2014 Are we here yet? : Damaged Goods, Meg Stuart / |
List of Figures -- Acknowledgements -- 1. Introduction,- 2. Social Media: Platforms, Networks and Influences -- 3. Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities -- 4. Social Media as Critical Stage: Controversy, Debate and Democracy -- 5. Social Media as Cultural Stage: Co-Creation, Audience Collaboration, and the Construction of Theatre Cultures -- 6. Conclusion -- References.
This book offers the first broad-based survey of the way artists, audiences and society at large are making use of social media, and how the emergence of social media platforms that allow two-way interaction between these groups has been held up as a 'game changer' by many in the theatre industry. The first book to analyse aesthetic, critical, audience development, marketing and assessment uptake of social media in the theatre industry in an integrated fashion, Theatre, Social Media and Meaning Making examines examples from the USA, UK, Europe and Australasia to provide a snapshot of this emerging niche within networked, telematic, immersive and participatory theatre production and reception practices. A vital new resource for the field, this book will appeal to scholars, students, and industry practitioners alike.
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