Brecht on theatre : the development of an aesthetic / [Textbook] edited and translated by John Willett.
By: Brecht, Bertolt.
Contributor(s): Willett, John.
Material type: BookSeries: Methuen paperback: Publisher: New York : London : Methuen, Hill and Wang ; 1992Description: 294 p., [32] p. of plates : ill., ports. ; 21 cm. cb#3.ISBN: 0809005425 (pbk.); 9780809005420 (pbk.).Subject(s): TheaterItem type | Current location | Call number | Status | Date due |
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Textbook (electives) | BardBerlinLibrary | In the reserve, ask the librarian. (Browse shelf) | Checked out | 15/05/2020 |
Textbook (electives) | BardBerlinLibrary | In the reserve, ask the librarian. (Browse shelf) | Checked out | 30/12/2022 |
Textbook (electives) | BardBerlinLibrary | In the reserve, ask the librarian. (Browse shelf) | Available | |
Textbook (electives) | BardBerlinLibrary | In the reserve, ask the librarian. (Browse shelf) | Available | |
Textbook (electives) | BardBerlinLibrary | In the reserve, ask the librarian. (Browse shelf) | Available | |
Textbook (electives) | BardBerlinLibrary | In the reserve, ask the librarian. (Browse shelf) | Available | |
Textbook (electives) | BardBerlinLibrary Storage | In the reserve, ask the librarian. (Browse shelf) | Available | |
Textbook (electives) | BardBerlinLibrary | In the reserve, ask the librarian. (Browse shelf) | Available |
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Includes bibliographical references and index.
1. Frank Wedekind -- 2. A Reckoning -- 3. Emphasis on Sport -- 4. Three Cheers for Shaw -- 5. Conversation with Bert Brecht -- 6. A Radio Speech -- 7. Shouldn't we Abolish Aesthetics? -- 8. The Epic Theatre and its Difficulties -- 9. Last Stage: Oedipus -- 10. A Dialogue about Acting -- 11. On Form and Subject-Matter -- 12. An Example of Paedagogics -- 13. The Modern Theatre is the Epic Theatre -- 14. The Literarization of the Theatre -- 15. The Film, the Novel and Epic Theatre -- 16. The Radio as an Apparatus of Communication -- 17. The Question of Criteria for Judging Acting -- 18. Indirect Impact of the Epic Theatre -- 19. Interview with an Exile -- 20. Theatre for Pleasure or Theatre for Instruction -- 21. The German Drama: pre-Hitler -- 22. Criticism of the New York Production of Die Mutter -- 23. On the Use of Music in an Epic Theatre -- 24. Alienation Effects in Chinese Acting -- 25. Notes to Die Rundkopfe und die Spitzkopfe -- 26. On Gestic Music -- 27. The Popular and the Realistic -- 28. On Rhymeless Verse with Irregular Rhythms -- 29. The Street Scene -- 30. On Experimental Theatre -- 31. New Technique of Acting -- 32. Two Essays on Unprofessional Acting -- 33. Notes on the Folk Play -- 34. Alienation Effects in the Narrative Pictures of the Elder Brueghel -- 35. A Little Private Tuition for my Friend Max Gorelik -- 36. Building up a Part: Laughton's Galileo -- 37. 'Der Messingkauf': an editorial note -- 38. A Short Organum for the Theatre -- 39. Masterful Treatment of a Model -- 40. From the Mother Courage Model -- 41. Does Use of the Model Restrict the Artist's Freedom? -- 42. Formal Problems Arising from the Theatre's New Content -- 43. Stage Design for the Epic Theatre -- 44. From a Letter to an Actor -- 45. Some of the Things that can be Learnt from Stanislavsky -- 46. Theaterarbeit: an editorial note -- 47. Notes on Erwin Strittmatter's Play Katzgraben -- 48. Study of the First Scene of Shakespeare's Coriolanus -- 49. Cultural Policy and Academy of Arts -- 50. Conversation about being Forced into Empathy -- 51. Classical Status as an Inhibiting Factor -- 52. Can the Present-day World be Reproduced by Means of Theatre? -- 53. Appendices to the 'Short Organum' -- 54. 'Dialectics in the Theatre': an editorial note -- 55. Our London Season.
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