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Modernism : evolution of an idea / Sean Latham and Gayle Rogers.

By: Latham, Sean 1971- [author.].
Contributor(s): Rogers, Gayle 1978- [author.].
Material type: materialTypeLabelBookSeries: New modernisms series (Bloomsbury (Firm)): Publisher: London: Bloomsbury Academic, 2015Description: 266 pages : illustrations ; 23 cm.ISBN: 9781472531247 (hardcover); 1472531248 (hardcover); 9781472523778 (paperback); 1472523776 (paperback).Subject(s): Modernism (Literature) | Modernism (Literature) | Modernism (litteratur)DDC classification: 809.9112 Online resources: Contributor biographical information | Publisher description | Table of contents only
Contents:
Introduction: Is There a There There? -- 1. The Emergence of "Modernism" -- 2. Consolidation -- 3. Iron Filings -- 4. Networks.
Summary: Modernism: Evolution of an Idea traces the development of the term "modernism" from cultural debates in the early twentieth century to the dynamic contemporary field of modernist studies. Rather than assuming and recounting the contributions of modernism's chief literary and artistic figures, this book focuses on critical formulations and reception through topics such as: the evolution of modernism from a pejorative term in intellectual arguments to its subsequent centrality to definitions of new art; new criticism and its legacies in the formation of the modernist canon in anthologies, classrooms, and literary histories; and shifting conceptions of modernism during the rise of gender and race studies, French theory, Marxist criticism, postmodernism, and more.
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Item type Current location Call number Status Date due
Non Fiction Non Fiction BardBerlinLibrary
2nd floor
809.911 LAT 2015 (Browse shelf) Available

Includes bibliographical references (pages 233-260) and index.

Introduction: Is There a There There? -- 1. The Emergence of "Modernism" -- 2. Consolidation -- 3. Iron Filings -- 4. Networks.

Modernism: Evolution of an Idea traces the development of the term "modernism" from cultural debates in the early twentieth century to the dynamic contemporary field of modernist studies. Rather than assuming and recounting the contributions of modernism's chief literary and artistic figures, this book focuses on critical formulations and reception through topics such as: the evolution of modernism from a pejorative term in intellectual arguments to its subsequent centrality to definitions of new art; new criticism and its legacies in the formation of the modernist canon in anthologies, classrooms, and literary histories; and shifting conceptions of modernism during the rise of gender and race studies, French theory, Marxist criticism, postmodernism, and more.

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