No internet, no art : a lunch bytes anthology / edited by Melanie Bühler.
Contributor(s): Bühler, Melanie [editor.]
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Material type: 
BookSeries: Onomatopee (Series): no. 102.Description: 351 pages, 63 unnumbered pages of plates : illustrations (chiefly color) ; 24 cm.ISBN: 9789491677359; 9491677357.Subject(s): Art and the Internet | Art and the InternetDDC classification: 700.411.2 Online resources: Inhaltsverzeichnis Summary: Today it has become increasingly difficult to find a person or an object without some kind of connection to the internet. 'No internet, no art' is dedicated to exploring what this situation entails with respect to one cultural field in particular: art. This anthology forms both the culmination and a continuation of a series of public events titled 'Lunch bytes: Thinking about art and digital culture', held in Washington, D.C., which invited artists and experts from different fields to discuss their work in relation to this overarching theme. By opening up the often narrowly-defined discursive field of 'post-internet,' artistic practices are examined thematically within the larger context of digital culture. As such, this anthology offers valuable new contributions to the fields of art history, media studies, philosophy, curatorial studies, and design.
| Item type | Current location | Call number | Status | Date due |
|---|---|---|---|---|
Non Fiction
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BardBerlinLibrary 2nd floor | 700.411 BUE 2015 (Browse shelf) | Available |
Includes bibliographical references (pages 329-334) and index.
Today it has become increasingly difficult to find a person or an object without some kind of connection to the internet. 'No internet, no art' is dedicated to exploring what this situation entails with respect to one cultural field in particular: art. This anthology forms both the culmination and a continuation of a series of public events titled 'Lunch bytes: Thinking about art and digital culture', held in Washington, D.C., which invited artists and experts from different fields to discuss their work in relation to this overarching theme. By opening up the often narrowly-defined discursive field of 'post-internet,' artistic practices are examined thematically within the larger context of digital culture. As such, this anthology offers valuable new contributions to the fields of art history, media studies, philosophy, curatorial studies, and design.
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