Introduction to documentary / Bill Nichols.
By: Nichols, Bill [author.]
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Contributor(s): Bill Nichols
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Material type: ![materialTypeLabel](/opac-tmpl/lib/famfamfam/BK.png.pagespeed.ce.MERO07ZlBb.png)
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Contents:
Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. where do I start?.
Item type | Current location | Call number | Status | Date due |
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BardBerlinLibrary 2nd floor | 070.18 NIC 2017 (Browse shelf) | Available |
Includes bibliographical references and index.
Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. where do I start?.
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