| 000 | 01236cam a2200337 a 4500 | ||
|---|---|---|---|
| 008 | 050713s2005 paua b 000 0 eng | ||
| 010 | _a2005020027 | ||
| 020 | _a0271024712 (hc.) | ||
| 020 | _a9780271024721 (pbk.) | ||
| 035 | _a(NjR)a2501077 | ||
| 035 | _a(CStRLIN)NJRGA2501077-B | ||
| 041 | 1 |
_aeng _hfre |
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| 042 | _apcc | ||
| 050 | 0 | 0 |
_aN7430.5 _b.D513 2005 |
| 082 | 0 | 0 |
_a701.15 _222 |
| 100 | 1 |
_aDidi-Huberman, Georges. _99895 |
|
| 240 | 1 | 0 |
_aDevant l'image. _lEnglish |
| 245 | 1 | 0 |
_aConfronting images : _bquestioning the ends of a certain history of art |
| 260 |
_aUniversity Park, Pa. : _bPennsylvania State University Press, _cc2005. |
||
| 300 |
_axxvi, 310 p. : _bill. ; _c23 cm. |
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| 504 | _aIncludes bibliographical references (p. [273]-310). | ||
| 650 | 0 |
_aVisual perception. _921446 |
|
| 650 | 0 |
_aPsychoanalysis and art. _xart history _921447 |
|
| 700 | 1 |
_aGoodman, John _etranslator _921448 |
|
| 852 | 8 |
_aUkOxU _bHFLBL _cHFLO5 _hN7430.5.D513 _iDID 2005 |
|
| 852 | 8 |
_aUkOxU _bSACBL _cSAC2F _h#E8 DID |
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| 852 | 8 |
_aUkOxU _bMAGCL _cMAGNW _h701.15 DID |
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| 852 | 0 |
_aUkOxU _bHMCCL _cHMCLC _hN7430.5 _iDID 2005 |
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| 856 | 4 | 1 |
_3Table of contents _uhttp://www.loc.gov/catdir/toc/ecip0516/2005020027.html |
| 942 |
_2ddc _cNFIC _n0 |
||
| 999 |
_c10165 _d10165 |
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