000			01911cam a2200385 a 4500
008			100811s2011 enka b 001 0 eng
010			_a 2010032074
015			_aGBB0A5704 _2bnb
015			_aGBB0A5704 _2dnb
016	7		_a015640362 _2Uk
020			_a9780415404419 (hardback : alk. paper)
020			_a041540441X (hardback : alk. paper)
020			_a9780415404426 (pbk. : alk. paper)
020			_a0415404428 (pbk. : alk. paper)
020			_a9780203852873 (ebook)
020			_a0203852877 (ebook)
035			_a(OCoLC)ocn660560127
050	0	0	_aPN1584 _b.S36 2011
082	0	0	_a792.028 _222
100	1		_aSchneider, Rebecca. _923798
245	1	0	_aPerforming remains : _bart and war in times of theatrical reenactment
260			_aAbingdon, Oxon ; _aNew York : _bRoutledge , _c2011 .
300			_axii, 260 pages _c24 cm.
440			_aPerformance Remains _923799
504			_aIncludes bibliographical references and index.
505	0		_aReenactment and relative pain -- Finding faux fathers -- In the meantime : performance remains -- Poor, poor theatre -- Still living -- Protest now.
520	8		_a'Performing Remains' explores the role of the fake, the false and the faux in contemporary theatre. Divided into seven essays, it examines both contemporary and historical performance with a wide scope, questioning the importance of representation and reassessing the ritual value of failure.
650		0	_aPerforming arts. _923800
650		0	_aHistorical reenactments. _922760
650		0	_aHistorical reenactments _zUnited States _923801
856			_uhttp://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=021201436&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cNFIC _n0
955			_brg13 2010-08-11 _irg13 2010-08-11 to DEWEY _axe14 2011-06-16 2 copies rec'd., to CIP ver.
999			_c10818 _d10818