000 | 02833cam a22002778i 4500 | ||
---|---|---|---|
008 | 170713s2017 nyu b 001 0 eng | ||
010 | _a2017018652 | ||
020 | _a9781138244061 | ||
042 | _apcc | ||
050 | 0 | 0 |
_aPN56.S7357 _bS763 2017 |
082 | 0 | 0 | _a808.03 |
100 |
_aColin Davis _eAuthor _927332 |
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245 | 0 | 0 |
_aStorytelling and ethics : _bliterature, visual arts, and the power of narrative |
246 | 2 | 0 | _aLiterature, visual arts, and the power of narrative |
250 | _aFirst edition. | ||
260 |
_aRoutledge , _bNew York ; _c2018 . |
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300 | _a314 p. | ||
490 | 0 |
_aRoutledge interdisciplinary perspectives on literature ; _v80 |
|
504 | _aIncludes bibliographical references and index. | ||
520 | _a"In recent years there has been a huge amount of both popular and academic interest in storytelling as something that is an essential part of not only literature and art but also our everyday lives as well as our dreams, fantasies, aspirations, historical self-understanding, and political actions. The question of the ethics of storytelling always lurks behind these discussions, though most frequently it remains implicit rather than explicit. This volume explores the ethical potential and risks of storytelling from an interdisciplinary perspective. It stages a dialogue between contemporary literature and visual arts across media (film, photography, performative arts), interdisciplinary theoretical perspectives (debates in narrative studies, trauma studies, cultural memory studies, ethical criticism), and history. The collection analyses ethical issues involved in different strategies employed in literature and art to narrate experiences that resist telling and imagining, such as traumatic historical events, including war and political conflicts. The chapters explore the multiple ways in which the ethics of storytelling relates to the contemporary arts as they work with, draw on, and contribute to historical imagination. The book foregrounds the connection between remembering and imagining and explores the ambiguous role of narrative in the configuration of selves, communities, and the relation to the non-human. Making an original contribution to interdisciplinary narrative studies and narrative ethics, this book both articulates a complex understanding of how artistic storytelling practices enable critical distance from culturally dominant narrative practices, and analyzes the limitations and potential pitfalls of storytelling" -- | ||
650 | 0 |
_aStorytelling _xNarration (Rhetoric) _xMoral and ethical aspects _xSocial aspects _xPsychological aspects _xEthics in literature _xArts _927333 |
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700 | 1 |
_aMeretoja, Hanna, _eeditor _927334 |
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906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
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942 |
_2ddc _cNFIC _n0 |
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955 |
_bxk20 2017-07-13 _ixk20 2017-07-13 _aXK20 2017-07-20 to Dewey |
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999 |
_c11940 _d11940 |