000 02833cam a22002778i 4500
008 170713s2017 nyu b 001 0 eng
010 _a2017018652
020 _a9781138244061
042 _apcc
050 0 0 _aPN56.S7357
_bS763 2017
082 0 0 _a808.03
100 _aColin Davis
_eAuthor
_927332
245 0 0 _aStorytelling and ethics :
_bliterature, visual arts, and the power of narrative
246 2 0 _aLiterature, visual arts, and the power of narrative
250 _aFirst edition.
260 _aRoutledge ,
_bNew York ;
_c2018 .
300 _a314 p.
490 0 _aRoutledge interdisciplinary perspectives on literature ;
_v80
504 _aIncludes bibliographical references and index.
520 _a"In recent years there has been a huge amount of both popular and academic interest in storytelling as something that is an essential part of not only literature and art but also our everyday lives as well as our dreams, fantasies, aspirations, historical self-understanding, and political actions. The question of the ethics of storytelling always lurks behind these discussions, though most frequently it remains implicit rather than explicit. This volume explores the ethical potential and risks of storytelling from an interdisciplinary perspective. It stages a dialogue between contemporary literature and visual arts across media (film, photography, performative arts), interdisciplinary theoretical perspectives (debates in narrative studies, trauma studies, cultural memory studies, ethical criticism), and history. The collection analyses ethical issues involved in different strategies employed in literature and art to narrate experiences that resist telling and imagining, such as traumatic historical events, including war and political conflicts. The chapters explore the multiple ways in which the ethics of storytelling relates to the contemporary arts as they work with, draw on, and contribute to historical imagination. The book foregrounds the connection between remembering and imagining and explores the ambiguous role of narrative in the configuration of selves, communities, and the relation to the non-human. Making an original contribution to interdisciplinary narrative studies and narrative ethics, this book both articulates a complex understanding of how artistic storytelling practices enable critical distance from culturally dominant narrative practices, and analyzes the limitations and potential pitfalls of storytelling" --
650 0 _aStorytelling
_xNarration (Rhetoric)
_xMoral and ethical aspects
_xSocial aspects
_xPsychological aspects
_xEthics in literature
_xArts
_927333
700 1 _aMeretoja, Hanna,
_eeditor
_927334
906 _a7
_bcbc
_corignew
_d1
_eecip
_f20
_gy-gencatlg
942 _2ddc
_cNFIC
_n0
955 _bxk20 2017-07-13
_ixk20 2017-07-13
_aXK20 2017-07-20 to Dewey
999 _c11940
_d11940