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010 _a2015014811
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016 7 _a017506212
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016 _a017506212
_2Uk
020 _a9781479802111
_q(cl ;
_qalk. paper)
020 _a1479802115
_q(cl ;
_qalk. paper)
020 _a9781479852475
_q(pb ;
_qalk. paper)
020 _a1479852473
_q(pb ;
_qalk. paper)
024 8 _a40025304965
035 _a(OCoLC)906010730
_z(OCoLC)927018184
040 _aDLC
_beng
_erda
_cDLC
_dYDX
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042 _apcc
043 _an-us---
050 0 0 _aNX512.3.A35
_bM39 2015
080 _a7.071-054 (=96) MAC
082 0 0 _a704.042
_223
100 1 _aMcMillan, Uri,
_eauthor.
_928176
245 1 0 _aEmbodied avatars :
_bgenealogies of black feminist art and performance /
260 _aNew York :
_bNew York University Press ,
_c2015 .
300 _a283 pages :
_billustrations ;
_c23 cm.
490 1 _aSexual cultures
504 _aIncludes bibliographical references (pages 227-282) and index.
505 0 _aIntroduction: Performing Objects -- Mammy Memory: The Curious Case of Joice Heth, the Ancient Negress -- Passing Performances: Ellen Craft's Fugitive Selves -- Plastic Possibilities: Adrian Piper's Adamant Self-Alienation -- Is This Performance about You?: The Art, Activism, and Black Feminist Critique of Howardena Pindell -- Conclusion: 'I've Been Performing My Whole Life'.
520 _a"Tracing a dynamic genealogy of performance from the nineteenth century to the twenty-first, McMillan contends that black women artists practiced a purposeful self-objectification, transforming themselves into art objects. In doing so, these artists raised new ways to ponder the intersections of art, performance, and black female embodiment."
650 0 _aPerformance art
_zUnited States.
_910197
650 0 _aAfrican American women performance artists.
_928177
650 0 _aFeminism in art.
_910337
650 0 _aIdentity (Philosophical concept) in art.
_928178
830 0 _aSexual cultures.
_928179
852 8 _aUkOxU
_bWADCL
_hS 1 (M)
852 8 _aUkOxU
_bWADCL
942 _2ddc
_cNFIC
999 _c12175
_d12175