000			02056cam a2200325 i 4500
008			150903t20162016enk b 000 0 eng
010			_a 2015033220
020			_a9781137463708
042			_apcc
050	0	0	_aPN1590.S65 _bL66 2016
082	0	0	_a792 _223
084			_aCOM079000 _aCOM087000 _aPER011000 _2bisacsh
100	1		_aLonergan, Patrick, _928599
245	1	0	_aTheatre and social media
260			_aLondon : _bRed Globe Press , _c2016 .
300			_ax, 94 pages ; _c18 cm.
490	0		_aTheatre &
490	0		_aMacmillan education
504			_aIncludes bibliographical references and index.
505	8		_aMachine generated contents note: Introduction -- SOCIAL MEDIA AND PERFORMANCE. The Pre-Histories of Social Media -- Computers and Theatre -- Social Media as Performance Space: the 2009 Iranian "Rooftop Poems" -- Defining Social Media -- SOCIAL MEDIA IN THEATRE. Precursors: Patrick Marber's Closer, 1997 -- Social Media in Theatre: Thematic Approaches -- Social Media in Theatre: Formal Innovations -- PERFORMING AUTHORSHIP, PERFORMING CONSUMERS. Once: the musical on stage and online -- CONCLUSIONS.
520			_a"Social media has become an increasingly prevalent aspect of our lives, used daily by many people. In this timely study, Patrick Lonergan examines the relationship between social media and theatre. He argues that social media is itself a performance space, analysing how it's used by both theatres and audiences and also in connection with each other"--
650		0	_aTheater and social media. _921143
650		0	_aSocial media in the theater. _928600
650		7	_aCOMPUTERS / Social Aspects / General. _2bisacsh _928601
650		7	_aCOMPUTERS / Digital Media / General. _2bisacsh _928602
650		7	_aPERFORMING ARTS / Theater / General. _2bisacsh _925433
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cNFIC _n0
955			_bxk13 2015-09-03 _ixk13 2015-09-03 ONIX (telework); HOLD: to PSD (CLED/SHED (2)) _atd14 2015-09-30 to Dewey _axn12 2016-03-21 1 copy rec'd., to CIP ver.
999			_c12290 _d12290