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| 005 | 20221122174925.0 | ||
| 010 | _a2012027225 | ||
| 020 | _a9780253006523 | ||
| 020 | _a9780253006523 (pb : alk. paper) | ||
| 020 | _a9780253006585 (eb) | ||
| 035 | _a(DLC)2012027225 | ||
| 035 | _a(UkLCURL)982012027225 | ||
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_ll _m+ |
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_a791.43 _223 |
| 090 | _aLCo | ||
| 100 | 1 |
_aIan Olney _930843 |
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| 245 | 1 | 0 |
_aEuro Horror : _bclassic European horror cinema in contemporary American culture / |
| 260 |
_aBloomington : _bIndiana University Press, _c2013. |
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| 300 | _a257 pages | ||
| 490 | 1 | _aNew directions in national cinemas | |
| 504 | _aIncludes bibliographical references (p. 233-241) and index. | ||
| 505 | 0 | _aToward a performative theory of Euro horror cinema. Academic hot spots and blind spots: horror film studies and Euro horror cinema -- Fast, cheap, and out of control: the academic case against Euro horror cinema -- Playing dead, take one: Euro horror film production -- Playing dead, take two: Euro horror film reception -- Return of the repressed: Euro horror cinema in contemporary American culture -- Case studies in Euro horror cinema. Blood and black lace: the Giallo film -- The whip and the body: the S&M horror film -- Cannibal apocalypse: cannibal and zombie films -- Conclusion: from the grindhouse to the arthouse: the legacy of Euro horror cinema. | |
| 650 | 0 |
_aHorror films _zEurope _914443 |
|
| 650 | 0 |
_aMotion picture audiences _zUnited States. _930844 |
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| 651 | _2History and criticism. | ||
| 830 | 0 |
_aNew directions in national cinemas. _923369 |
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| 852 | 8 |
_aUkOxU _bBODBL _hM13.E02482 |
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