| 000 | 01504 a2200241 4500 | ||
|---|---|---|---|
| 008 | 130627b xxu||||| |||| 00| 0 eng d | ||
| 010 | _a 2008019019 | ||
| 020 | _a9780300136845 (hbk.) | ||
| 020 | _a0300136846 (hbk.) | ||
| 035 | _a(OCoLC)ocn216936075 | ||
| 035 | _a(OCoLC)216936075 | ||
| 050 | 0 | 0 |
_aTR642 _b.F75 2008 |
| 082 | 0 | 0 |
_a770.1 _222 |
| 100 | 1 |
_aFried, Michael. _94309 |
|
| 245 | 1 | 0 |
_aWhy photography matters as art as never before / _cMichael Fried. |
| 260 |
_aNew Haven : _bYale University Press, _cc2008. |
||
| 300 |
_aix, 409 p. : _bill. (some col.) ; _c29 cm. _fNFIC |
||
| 504 | _aIncludes bibliographical references (p. 353-397) and index. | ||
| 505 | 0 | _aThree beginnings -- Jeff Wall and absorption ; Heidegger on worldhood and technology -- Jeff Wall, Wittgenstein, and the everyday -- Barthes's Punctum -- Thomas Struth's museum photographs -- Jean-François Chevrier on the "tableau form" ; Thomas Ruff, Andreas Gursky, Luc Delahaye -- Portraits by Thomas Struth, Rineke Dijkstra, Patrick Faigenbaum, Luc Delahaye, and Roland Fischer ; Douglas Gordon and Philippe Parreno's film Zidane -- Street photography revisited : Jeff Wall, Beat Streuli, Philip-Lorca diCorcia -- Thomas Demand's allegories of intention ; "Exclusion" in Candida Höfer, Hiroshi Sugimoto, and Thomas Struth -- "Good" versus "bad" objecthood : James Welling, Bernd and Hilla Becher, Jeff Wall. | |
| 650 | 0 |
_aPhotography, Artistic. _92342 |
|
| 650 | 0 |
_aPhotography _xPhilosophy. _910748 |
|
| 942 |
_n0 _2ddc _cNFIC |
||
| 999 |
_c4087 _d4087 |
||