000 01806cam a22003252 b4500
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008 150422b xxu||||| |||| 00| 0 eng d
020 _a9781444333602
020 _a1444333607 (Trade Paper)
_cUSD 34.95 Retail Price (Publisher)
024 3 _a9781444333602
035 _a(WaSeSS)ssj0000507233
037 _b00028608
050 4 _aTR183
082 0 0 _a770.1
_222
100 1 _aCostello, Diarmuid
_eEditor
_4edt
_911201
210 1 0 _aPhotography after Conceptual Art
245 1 0 _aPhotography after Conceptual Art /
260 _aHoboken :
_bWiley-Blackwell,
_c2010.
300 _a200 p.,
_bill. (some col.)
440 0 _aArt History Special Issues Ser.
_911202
520 8 _aAnnotation
_bPhotography After Conceptual Artpresents a series of original essays that address substantive theoretical, historical, and aesthetic issues raised by post-1960s photography as a mainstream artistic mediumAppeals to people interested in artist's use of photography and in contemporary artTracks the efflorescence of photography as one of the most important mediums for contemporary artExplores the relation between recent art, theory and aesthetics, for which photography serves as an important test caseIncludes a number of the essays with previously unpublished photographsArtists discussed include Ed Ruscha, Bernd and Hilla Becher, Douglas Huebler, Mel Bochner, Sherrie Levine, Roni Horn, Thomas Demand, and Jeff Wall
521 _aScholarly & Professional
_bJohn Wiley & Sons, Incorporated
650 _92342
_aPhotography, Artistic.
650 _aPhotography in art.
_914439
650 _aArt and photography.
_914440
700 1 _aIversen, Margaret
_eEditor
_4edt
_911203
910 _aBowker Global Books in Print record
942 _2ddc
_cNFIC
_n0
999 _c6082
_d6082