000 03428mam a2200313 a 4500
008 830721s1992 nyuacf b 001 0 eng d
010 _z 63018479
020 _a0809005425 (pbk.)
020 _a9780809005420 (pbk.)
035 _a(OCoLC)33026809
035 _a(OCoLC)ocm33026809
035 _a(NNC)1526582
041 1 _aeng
_hger
050 4 _aPN2021
_b.B68 1992g
100 1 _aBrecht, Bertolt,
_d1898-1956.
_915527
245 1 0 _aBrecht on theatre :
_bthe development of an aesthetic / [Textbook]
_cedited and translated by John Willett.
260 _aNew York :
_bHill and Wang ;
_aLondon : Methuen,
_c1992.
300 _a294 p., [32] p. of plates :
_bill., ports. ;
_c21 cm.
_ecb#3
490 1 _aMethuen paperback
504 _aIncludes bibliographical references and index.
505 0 0 _g1.
_tFrank Wedekind --
_g2.
_tA Reckoning --
_g3.
_tEmphasis on Sport --
_g4.
_tThree Cheers for Shaw --
_g5.
_tConversation with Bert Brecht --
_g6.
_tA Radio Speech --
_g7.
_tShouldn't we Abolish Aesthetics? --
_g8.
_tThe Epic Theatre and its Difficulties --
_g9.
_tLast Stage: Oedipus --
_g10.
_tA Dialogue about Acting --
_g11.
_tOn Form and Subject-Matter --
_g12.
_tAn Example of Paedagogics --
_g13.
_tThe Modern Theatre is the Epic Theatre --
_g14.
_tThe Literarization of the Theatre --
_g15.
_tThe Film, the Novel and Epic Theatre --
_g16.
_tThe Radio as an Apparatus of Communication --
_g17.
_tThe Question of Criteria for Judging Acting --
_g18.
_tIndirect Impact of the Epic Theatre --
_g19.
_tInterview with an Exile --
_g20.
_tTheatre for Pleasure or Theatre for Instruction --
_g21.
_tThe German Drama: pre-Hitler --
_g22.
_tCriticism of the New York Production of Die Mutter --
_g23.
_tOn the Use of Music in an Epic Theatre --
_g24.
_tAlienation Effects in Chinese Acting --
_g25.
_tNotes to Die Rundkopfe und die Spitzkopfe --
_g26.
_tOn Gestic Music --
_g27.
_tThe Popular and the Realistic --
_g28.
_tOn Rhymeless Verse with Irregular Rhythms --
_g29.
_tThe Street Scene --
_g30.
_tOn Experimental Theatre --
_g31.
_tNew Technique of Acting --
_g32.
_tTwo Essays on Unprofessional Acting --
_g33.
_tNotes on the Folk Play --
_g34.
_tAlienation Effects in the Narrative Pictures of the Elder Brueghel --
_g35.
_tA Little Private Tuition for my Friend Max Gorelik --
_g36.
_tBuilding up a Part: Laughton's Galileo --
_g37.
_t'Der Messingkauf': an editorial note --
_g38.
_tA Short Organum for the Theatre --
_g39.
_tMasterful Treatment of a Model --
_g40.
_tFrom the Mother Courage Model --
_g41.
_tDoes Use of the Model Restrict the Artist's Freedom? --
_g42.
_tFormal Problems Arising from the Theatre's New Content --
_g43.
_tStage Design for the Epic Theatre --
_g44.
_tFrom a Letter to an Actor --
_g45.
_tSome of the Things that can be Learnt from Stanislavsky --
_g46.
_tTheaterarbeit: an editorial note --
_g47.
_tNotes on Erwin Strittmatter's Play Katzgraben --
_g48.
_tStudy of the First Scene of Shakespeare's Coriolanus --
_g49.
_tCultural Policy and Academy of Arts --
_g50.
_tConversation about being Forced into Empathy --
_g51.
_tClassical Status as an Inhibiting Factor --
_g52.
_tCan the Present-day World be Reproduced by Means of Theatre? --
_g53.
_tAppendices to the 'Short Organum' --
_g54.
_t'Dialectics in the Theatre': an editorial note --
_g55.
_tOur London Season.
650 0 _aTheater.
_915528
700 1 _aWillett, John.
_915529
740 0 _aOn theatre.
830 0 _aMethuen paperback.
_915530
900 _aAUTH
_bTOC
942 _2ddc
_cTB
_n0
948 2 _a20100903
_ba
_crad1
_dMPS
999 _c6563
_d6563