000 | 03428mam a2200313 a 4500 | ||
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008 | 830721s1992 nyuacf b 001 0 eng d | ||
010 | _z 63018479 | ||
020 | _a0809005425 (pbk.) | ||
020 | _a9780809005420 (pbk.) | ||
035 | _a(OCoLC)33026809 | ||
035 | _a(OCoLC)ocm33026809 | ||
035 | _a(NNC)1526582 | ||
041 | 1 |
_aeng _hger |
|
050 | 4 |
_aPN2021 _b.B68 1992g |
|
100 | 1 |
_aBrecht, Bertolt, _d1898-1956. _915527 |
|
245 | 1 | 0 |
_aBrecht on theatre : _bthe development of an aesthetic / [Textbook] _cedited and translated by John Willett. |
260 |
_aNew York : _bHill and Wang ; _aLondon : Methuen, _c1992. |
||
300 |
_a294 p., [32] p. of plates : _bill., ports. ; _c21 cm. _ecb#3 |
||
490 | 1 | _aMethuen paperback | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_g1. _tFrank Wedekind -- _g2. _tA Reckoning -- _g3. _tEmphasis on Sport -- _g4. _tThree Cheers for Shaw -- _g5. _tConversation with Bert Brecht -- _g6. _tA Radio Speech -- _g7. _tShouldn't we Abolish Aesthetics? -- _g8. _tThe Epic Theatre and its Difficulties -- _g9. _tLast Stage: Oedipus -- _g10. _tA Dialogue about Acting -- _g11. _tOn Form and Subject-Matter -- _g12. _tAn Example of Paedagogics -- _g13. _tThe Modern Theatre is the Epic Theatre -- _g14. _tThe Literarization of the Theatre -- _g15. _tThe Film, the Novel and Epic Theatre -- _g16. _tThe Radio as an Apparatus of Communication -- _g17. _tThe Question of Criteria for Judging Acting -- _g18. _tIndirect Impact of the Epic Theatre -- _g19. _tInterview with an Exile -- _g20. _tTheatre for Pleasure or Theatre for Instruction -- _g21. _tThe German Drama: pre-Hitler -- _g22. _tCriticism of the New York Production of Die Mutter -- _g23. _tOn the Use of Music in an Epic Theatre -- _g24. _tAlienation Effects in Chinese Acting -- _g25. _tNotes to Die Rundkopfe und die Spitzkopfe -- _g26. _tOn Gestic Music -- _g27. _tThe Popular and the Realistic -- _g28. _tOn Rhymeless Verse with Irregular Rhythms -- _g29. _tThe Street Scene -- _g30. _tOn Experimental Theatre -- _g31. _tNew Technique of Acting -- _g32. _tTwo Essays on Unprofessional Acting -- _g33. _tNotes on the Folk Play -- _g34. _tAlienation Effects in the Narrative Pictures of the Elder Brueghel -- _g35. _tA Little Private Tuition for my Friend Max Gorelik -- _g36. _tBuilding up a Part: Laughton's Galileo -- _g37. _t'Der Messingkauf': an editorial note -- _g38. _tA Short Organum for the Theatre -- _g39. _tMasterful Treatment of a Model -- _g40. _tFrom the Mother Courage Model -- _g41. _tDoes Use of the Model Restrict the Artist's Freedom? -- _g42. _tFormal Problems Arising from the Theatre's New Content -- _g43. _tStage Design for the Epic Theatre -- _g44. _tFrom a Letter to an Actor -- _g45. _tSome of the Things that can be Learnt from Stanislavsky -- _g46. _tTheaterarbeit: an editorial note -- _g47. _tNotes on Erwin Strittmatter's Play Katzgraben -- _g48. _tStudy of the First Scene of Shakespeare's Coriolanus -- _g49. _tCultural Policy and Academy of Arts -- _g50. _tConversation about being Forced into Empathy -- _g51. _tClassical Status as an Inhibiting Factor -- _g52. _tCan the Present-day World be Reproduced by Means of Theatre? -- _g53. _tAppendices to the 'Short Organum' -- _g54. _t'Dialectics in the Theatre': an editorial note -- _g55. _tOur London Season. |
650 | 0 |
_aTheater. _915528 |
|
700 | 1 |
_aWillett, John. _915529 |
|
740 | 0 | _aOn theatre. | |
830 | 0 |
_aMethuen paperback. _915530 |
|
900 |
_aAUTH _bTOC |
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942 |
_2ddc _cTB _n0 |
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948 | 2 |
_a20100903 _ba _crad1 _dMPS |
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999 |
_c6563 _d6563 |