000			03035cam a22003134a 4500
008			110928s2013 nyuag b 001 0 eng
010			_a 2011040998
020			_a9780195097627
020			_a0195097629
035			_a(OCoLC)ocn756045493
042			_apcc
050	0	0	_aML160 _b.T182 2013
082	0	0	_a780.9 _223
100	1		_aTaruskin, Richard. _916294
245	1	4	_aThe Oxford history of Western music / _cRichard Taruskin ; Christopher Gibbs.
250			_aCollege ed.
260			_aNew York : _bOxford University Press, _cc2013.
300			_axxxiii, 1211 p. : _bill., music ; 27 cm.
504			_aIncludes bibliographical references (p. 1161-1168) and index.
505	0		_aThe first literate repertory in Western music : Gregorian chant -- Secular and cathedral music in the High Middle Ages -- The Ars nova : musical developments in the fourteenth century -- Island and mainland : toward a Pan-European style -- A perfected art : church polyphony in the late fifteenth and sixteenth centuries -- After perfection : pressures for change -- Humanism and the birth of opera -- Music travels : trends in Italy, Germany, France, and England -- The height of Italian dominance : opera seria and the Italian concerto style -- Class of 1685 (I) : the instrumental music of Bach and Handel -- Class of 1685 (II) : the vocal music of Handel and Bach -- Mid-eighteenth-century stylistic changes : from Bach's sons to the comic style -- Concert life lifts off : Haydn -- The composer's voice : Mozart -- The emergence of romanticism -- Beethoven -- Opera in the age of Rossini, Bellini, Donizetti, and Weber -- Private art : Schubert and inwardness -- Romantic spectacles : from virtuosos to grand opera -- Literary musicians -- Music imported and exported -- Musical politics at mid-century : historicism and the New German School -- Class of 1813 : Wagner and Verdi -- Slavic harmony and disharmony -- The musical museum and the return of the symphony -- Dramatic alternatives : exoticism, operetta, and verismo -- Early Austro-German modernism : Mahler, Strauss, and Schoenberg -- Modernism in France -- National monuments -- Neoclassicism and 12-tone music -- Interwar currents : the roaring twenties -- Music and totalitarianism in the Soviet Union and Western Europe -- Music and politics in America and Allied Europe -- Starting from scratch : music in the aftermath of World War II -- Changes in the sixties and seventies.
650		0	_aMusic _xHistory and criticism. _916295
700	1		_aGibbs, Christopher Howard. _912033
856	4	2	_3Contributor biographical information _uhttp://www.loc.gov/catdir/enhancements/fy1210/2011040998-b.html
856	4	2	_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy1210/2011040998-d.html
856	4	1	_3Table of contents only _uhttp://www.loc.gov/catdir/enhancements/fy1210/2011040998-t.html
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cREF _n0
955			_bvk00 2011-09-28 _ivk26 2011-09-28 _axn05 2012-03-01 1 copy rec'd., to CIP ver.
999			_c8488 _d8488