000 | 01785cam a2200253 i 4500 | ||
---|---|---|---|
008 | 141008t20152015nyua b 001 0 eng | ||
010 | _a 2014038202 | ||
020 | _a9780231073622 (cloth : alk. paper) | ||
020 | _a9780231073639 (pbk. : alk. paper) | ||
020 | _z9780231539395 (e-book) | ||
042 | _apcc | ||
043 | _ae-gw--- | ||
050 | 0 | 0 |
_aPN1993.5.G3 _bR43 2015 |
082 | 0 | 0 |
_a791.430943/0904 _223 |
100 | 1 |
_aRentschler, Eric, _eauthor. _916879 |
|
245 | 1 | 4 |
_aThe use and abuse of cinema : _bGerman legacies from the Weimar era to the present / _cEric Rentschler. |
300 |
_avi, 451 pages : _billustrations ; _c23 cm. |
||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aIntroduction: History lessons and courses in time -- Pt. 1. Critical venues -- How a social critic became a formative theorist -- Hunger for experience, spectatorship, and the seventies -- The passenger and the critical critic -- The limits of aesthetic resistance -- Springtime for UFA -- Pt. 2. Serials and cycles -- Mountains and modernity -- Too lovely to be true -- The management of shattered identity -- After the war, before the wall -- Pt. 3. From Oberhausen to Bitburg -- Remembering not to forget -- Many ways to fight a battle -- How American is it? -- The use and abuse of memory -- A cinema of citation -- The declaration of independents -- Pt. 4. Postwall prospects -- An archaeology of the Berlin school -- The surveillance camera's quarry -- Heritages and histories -- Life in the shadows -- Two trips to the Berlinale. | |
650 | 0 |
_aMotion pictures _zGermany _xHistory _y20th century. _916880 |
|
906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
||
942 |
_2ddc _cNFIC _n0 |
||
955 |
_bxk16 2014-10-08 _ixk16 2014-10-08 _axn12 2015-09-17 1 copy rec'd., to CIP ver. |
||
999 |
_c8640 _d8640 |