000 | 03102cam a2200385 i 4500 | ||
---|---|---|---|
008 | 160809t20172017enka b 001 0 eng | ||
010 | _a 2016036538 | ||
020 | _a9781474299299 | ||
020 | _a1474299296 | ||
020 | _a9781474299305 | ||
020 | _a147429930X | ||
035 |
_a(OCoLC)953843189 _z(OCoLC)992989192 |
||
042 | _apcc | ||
049 | _aNYPP | ||
050 | 0 | 0 |
_aPN1995.9.E945 _bS53 2017 |
082 | 0 | 0 |
_a791.43 _223 |
100 | 1 |
_aShaw, Daniel, _d1951- _eauthor. _918885 |
|
245 | 1 | 0 |
_aMovies with meaning : _bexistentialism through film / _cDaniel Shaw. |
260 |
_aIndia _bBloomsbury _c2017 |
||
300 |
_aviii, 266 pages : _billustrations ; _c23 cm. |
||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_gMachine generated contents note: _g1. _tDreams, Illusions and Will in Waking Life and Studies in Pessimism -- _g2. _tEgoism in Max Stirner's The Ego and His Own and in Hud -- _g3. _tKierkegaard and Bergman on Faith and Despair -- _g4. _tHoward Rourke as Nietzschean Overman in The Fountainhead -- _g5. _tBeing-Towards-Death in Blade Runner: Angst, Authenticity and Care -- _g6. _tHeidegger's Poetics and the Truth of War in The Thin Red Line -- _g7. _tAbsurdity and Suicide in Leaving Las Vegas and The Myth of Sisyphus -- _g8. _tRebellion and Murder in Missing and Camus's The Rebel -- _g9. _tSartrean Romantic Pessimism in Husbands and Wives -- _g10. _tSartre and the Justice of Violent Rebellion in Michael Collins -- _g11. _tDe Beauvoir's Fight against Gender Stereotypes and Revolutionary Road -- _g12. _tFoucault's Madness and Civilization and One Flew Over the Cuckoo's Nest. |
520 | 8 | _aThis book pairs close readings of some of the classic writings of existentialist philosophers with interpretations of films that reveal striking parallels to each of those texts, demonstrating their respective philosophies in action. Individual chapters include significant excerpts from the original texts being discussed and illustrated. Pairings cover Schopenhauer and Waking Life, Stirner and Hud, Kierkegaard and Winter Light, Nietzsche and The Fountainhead, Heidegger, Blade Runner and The Thin Red Line, Camus, Leaving Las Vegas and Missing, Sartre, Husbands and Wives, and Michael Collins, de Beauvoir and Revolutionary Road, and Foucault and One Flew Over the Cuckoo's Nest. Movies with Meaning offers a clear and insightful examination of the relationships between existential philosophers and film, providing both digests of their most significant texts and cinematic illustrations of what each had in mind. For the first time in one place, this book analyses the implications for film of the perspectives of a wide array of the most significant existentialist thinkers.0. | |
650 | 0 |
_aExistentialism in motion pictures. _918886 |
|
650 | 7 |
_aExistentialism in motion pictures. _2fast _918886 |
|
700 |
_aDaniel Shaw _918887 |
||
852 | 8 | _hMFL 17-3057. | |
901 | _aMARS | ||
901 |
_asgr _bCATRL |
||
908 | 0 | 0 | _aPN1995.9.E945 |
942 |
_2ddc _cNFIC _n0 |
||
945 | _a.b212996253 | ||
946 | _am | ||
949 | 1 |
_z8528 _aMFL 17-3057 _i33433123842761 _lmyt32 _sb _t55 _h32 _o1 _vCATRL/sgr |
|
999 |
_c9372 _d9372 |