000			01786cam a22002898i 4500
008			161209s2017 inu b s001 0 eng
010			_a 2016045756
020			_a9780253026347 (cloth : alk. paper)
020			_a9780253026859 (pbk. : alk. paper)
042			_apcc
050	0	0	_aPN1995.9.D6 _bN539 2017
082	0	0	_a070.1/8 _223
100	1		_aNichols, Bill, _d1942- _eauthor. _918989
245	1	0	_aIntroduction to documentary / _cBill Nichols.
250			_aThird edition.
260			_aUSA _bIndiana University Press _c2017
263			_a1111
300			_a258 p.
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentaries a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentary models and modes? what are the -- Poetic, expository, and reflexive modes? -- How can we describe the observational, participatory, and performative modes of -- Documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? -- I want to make a documentary. where do I start?.
650		0	_aDocumentary films _xHistory and criticism. _918990
700			_aBill Nichols _918991
776	0	8	_iOnline version: _aNichols, Bill, 1942- author. _tIntroduction to documentary _bThird edition. _dBloomington : Indiana University Press, 2017 _z9780253026903 _w(DLC) 2016057720
906			_a0 _bvip _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cNFIC _n0
955			_bxk13 2016-12-09 _ixk13 2016-12-09 (telework) to DEWEY _axn11 2017-05-19 1 copy rec'd., to CIP ver.
999			_c9392 _d9392