000			01603cam a2200289 i 4500
008			160718s2016 nyua b 001 0 eng
010			_a 2016018963
020			_a9781479890439
020			_a9781479889341
042			_apcc
043			_an-us---
050	0	0	_aML3917.U6 _bS79 2016
082	0	0	_a305.800 _223
100	1		_aStoever, Jennifer Lynn, _920847
245	1	4	_aThe sonic color line : _brace and the cultural politics of listening
260			_aNew York : _bNew York University Press , _c2016 .
300			_axvi, 331 pages : _billustrations ; _c24 cm.
490	1		_aPostmillennial pop
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction: The Sonic Color Line and the Listening Ear -- The Word, the Sound, and the Listening Ear: Listening to the Sonic Color Line in Frederick Douglass's 1845 Narrative and Harriet Jacobs's 1861 Incidents -- Performing the Sonic Color Line in the Antebellum North: The Swedish Nightingale and the Black Swan -- Preserving "Quare Sounds, " Conserving the "Dark Past": The Jubilee Singers and Charles Chesnutt Reconstruct the Sonic Color Line -- "A Voice to Match All That": Lead Belly, Richard Wright, and Lynching's Soundtrack -- Broadcasting Race: Lena Horne, W. E. B. Du Bois, and Ann Petry.
650		0	_aMusic and race _zUnited States _xHistory. _920848
650		0	_aAfrican Americans _xMusic _xHistory and criticism _xAmerican Studies _920849
830		0	_aPostmillennial pop. _920850
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cNFIC _n0
955			_bvl31 2016-07-18 _ivl31 2016-07-18
999			_c9977 _d9977